{"id":374,"date":"2022-08-25T23:00:05","date_gmt":"2022-08-25T20:00:05","guid":{"rendered":"http:\/\/mustafasevdim.com\/?p=374"},"modified":"2022-11-18T00:38:35","modified_gmt":"2022-11-17T21:38:35","slug":"fotograf-zihinsel-sey","status":"publish","type":"post","link":"https:\/\/www.mustafasevdim.com\/index.php\/fotograf-zihinsel-sey\/","title":{"rendered":"Foto\u011fraf Zihinsel \u015fey"},"content":{"rendered":"\n
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Cartier-Bresson \u2018un g\u00f6r\u00fcnt\u00fc kavray\u0131\u015f\u0131n\u0131 anlayabilmek i\u00e7in \u201cHerrigel’in ok\u00e7uluk deneyimini, onun foto\u011fraf yakla\u015f\u0131m\u0131na paralel okumay\u0131 denedim\u201d<\/p>\nA. Tufan Palal\u0131..<\/cite><\/blockquote>\n\n\n\n

A.Tufan Palal\u0131 , Roland Barthes\u2019\u0131n \u2018Camera Lucida\u2019 kitab\u0131n\u0131n \u2018K\u0131\u015f Bah\u00e7esinden Foto\u011frafa\u2019 <\/em><\/strong>isimli incelemesinden yakla\u015f\u0131k bir y\u0131l sonra yay\u0131nlad\u0131\u011f\u0131 kitab\u0131 \u2018Foto\u011fraf Zihinsel \u015eey\u2019 <\/em><\/strong>de, bizlere yedi b\u00f6l\u00fcmde \u2018fotografik g\u00f6r\u00fc\u2019 ye ula\u015fmay\u0131 anlat\u0131yor.<\/p>\n\n\n\n

1924-29 y\u0131llar\u0131 aras\u0131nda Japonya\u2019da ya\u015fam\u0131\u015f olan Alman Profes\u00f6r Herrigel\u2019in ok\u00e7uluk deneyimi ile ilgili yazd\u0131\u011f\u0131 20 sayfal\u0131k metin Cartier-Bresson\u2019u derinden etkiler. Zen \u00f6\u011fretilerinden \u00f6rnekler vererek yapt\u0131\u011f\u0131 konu\u015fmalarda da bu etki fark edilir. John Berger ile yapt\u0131\u011f\u0131 bir sohbette Zen Budistlerin ok\u00e7ulukla ilgili bir risalesinden bahsederek ni\u015fanc\u0131 gibi foto\u011fraf\u00e7\u0131l\u0131kta da \u2018hedef ve hedefe odaklanmak\u2019 tan bahseder.<\/p>\n\n\n\n

A. Tufan Palal\u0131\u2019n\u0131n \u2018Foto\u011fraf Zihinsel \u015eey\u2019<\/em><\/strong> kitab\u0131n\u0131n sayfalar\u0131nda dola\u015f\u0131rken, Uzak do\u011fuya g\u00f6re bat\u0131da da felsefe, bilim ve sanatta i\u00e7e bak\u0131\u015f ve ayd\u0131nlanma arac\u0131 olarak benimsenen Zen etkilerinin az\u0131msanmayacak kadar \u00e7ok oldu\u011funu g\u00f6rebiliyoruz. Kitab\u0131n sayfalar\u0131 aras\u0131nda rastlayaca\u011f\u0131n\u0131z; Zen\u2019i kavraman\u0131n temel ilkelerinden, kalbe ula\u015fman\u0131n yollar\u0131n\u0131 ortaya koyan Zen\u2019e atfedilmi\u015f eserlerde yer alan ifadelerden \u00f6rnekler sizi sarsabilir!..<\/p>\n\n\n\n

\u201cAyd\u0131nlanmadan \u00f6nce; nehirler nehirdir, da\u011flar da da\u011f. Ayd\u0131nlan\u0131rken; nehirler art\u0131k nehir de\u011fil, da\u011flar da da\u011f de\u011fildir. Ayd\u0131nlan\u0131nca; nehirler yeniden nehir olur, da\u011flar da da\u011f olur. Uyan\u0131\u015fa eri\u015fti\u011finizde, ise nehirler da\u011f olur, da\u011flar da nehir\u201d<\/em><\/p>\n\n\n\n

Olan biteni kavraman\u0131n gere\u011fi olan, \u2018g\u00f6r\u00fc\u2019; Cartier Bresson\u2019a g\u00f6re beyin, g\u00f6z ve kalbin ayn\u0131 olaya odaklanmas\u0131d\u0131r. G\u00f6r\u00fc ile bilince gelen ay\u0131rt etme yetisinin en y\u00fcksek keskinli\u011fe ula\u015ft\u0131\u011f\u0131 seviye ise sezgiyle \u00f6ze bak\u0131\u015f olan Satori\u2019dir. Satori s\u00fcreklili\u011fi i\u00e7in ise \u00e7alkant\u0131ya de\u011fil s\u00fckunete ihtiya\u00e7 vard\u0131r.<\/p>\n\n\n\n

\u2018Cosa mentale\u2019<\/h3>\n\n\n\n

\u2018Foto\u011fraf \u00e7ekmek g\u00f6rm\u00fc\u015f olmakt\u0131r\u2019 Bresson\u2019un s\u0131k s\u0131k dile getirdi\u011fi bu anlay\u0131\u015f\u0131 ile bu ifade fenomenlerin al\u0131mlanmas\u0131 ve zihne yerle\u015ftirilmesidir. Foto\u011fraflar\u0131n makine olmadan da \u00e7ekilebilece\u011fini s\u00f6yler Bresson. Her \u015feyi ele veren ifadeyi saniyenin y\u00fczde biri kadar s\u00fcrede g\u00f6rme an\u0131n\u0131n verdi\u011fi hazz\u0131 cinsel doyuma benzetir. Georges Braque\u2019\u0131n ona arma\u011fan etti\u011fi kitap (Ok\u00e7uluk Sanat\u0131nda Zen) sayesinde bu d\u00fc\u015f\u00fcncelerini felsefi bir temele dayand\u0131rarak, onu ya\u015fam bi\u00e7imine d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. \u00d6nemli olan bakmak, g\u00f6rmek ve vurma an\u0131n\u0131n yo\u011funlu\u011fu derinli\u011fidir.<\/p>\n\n\n\n

\u00c7ekim esnas\u0131ndaki d\u00fc\u015f\u00fcnme haline, bilincin saydaml\u0131\u011f\u0131n\u0131 buland\u0131rd\u0131\u011f\u0131 ve foto\u011fraflanmakta olan\u0131n \u00f6zerkli\u011fini ihlal etti\u011fi g\u00f6z\u00fcyle bak\u0131l\u0131r ve \u201cD\u00fc\u015f\u00fcnme i\u015fi \u00f6nce ve sonra yap\u0131lmal\u0131d\u0131r, asla foto\u011fraf \u00e7ekerken de\u011fil\u201d der, Bresson. Foto\u011fraf \u00e7ekmek birinin, u\u00e7up giden ger\u00e7eklik kar\u015f\u0131s\u0131nda b\u00fct\u00fcn yetilerini birle\u015ftirerek nefesini tutmas\u0131d\u0131r. D\u0131\u015f tahriklere maruz kalmadan kendi i\u00e7inde kal\u0131\u015f bu tahrikleri bertaraf edip temiz bir bilince ula\u015fmak, do\u011fru soluk ve dinginlikle bakmay\u0131 \u00f6\u011frenmekle m\u00fcmk\u00fcn olur.<\/p>\n\n\n\n

Foto\u011fraf makinesini \u2018an\u0131n efendisi\u2019 olarak niteleyen Bresson, John Berger ile yapt\u0131\u011f\u0131 bir konu\u015fmada sonuca ba\u011flayan an\u0131 Einstein\u2019dan bir al\u0131nt\u0131 ile ifade ediyor: \u201cCanl\u0131 olan her \u015feyle \u00f6yle bir dayan\u0131\u015fma duygusu i\u00e7indeyim ki, birey nerede ba\u015flam\u0131\u015f nerede son bulmu\u015f art\u0131k \u00f6nemli de\u011fil benim i\u00e7in..\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Zen \u00fcstatlar\u0131ndan John Berger\u2019e, Broch\u2019tan Mevlana\u2019ya kadar bir\u00e7ok al\u0131nt\u0131 ile zen yakla\u015f\u0131mlar\u0131na bolca rastlayaca\u011f\u0131n\u0131z bu \u2018okuma\u2019n\u0131n sayfalar\u0131 aras\u0131na ustal\u0131kla gizlenmi\u015f olan \u2018Duyusal Al\u0131mlamadan, Dolays\u0131z Kavray\u0131\u015fa Do\u011fru\u2019 \u015femas\u0131 ise, sezme ve g\u00f6rme ili\u015fkisinin bir anahtar\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Kitaptan al\u0131nt\u0131lar\u0131 okudu\u011funuz bu sat\u0131rlar\u0131n size kitap hakk\u0131nda ipu\u00e7lar\u0131 verdi\u011fini umuyorum.<\/p>\n\n\n\n

Kaynaklar :<\/h3>\n\n\n\n